We are gathered (again!)

 By Katie Shepherd

Last weekend the 4th annual National Diploma Gathering took place, as last year, at Losehill Hall YHA in Derbyshire. I’ve been to each Gathering (the 1st one conveniently arranged for just after I signed up for the Diploma (in Applied Permaculture Design), and it’s one of the big highlights of my year...I’ve written about each Gathering here…and so here is a summary of this years highlights

* Catching up, networking, with other Apprentices and tutors…lots of old friends…many new ones …its always so inspiring to hear what everyone’s been up to since last year (lots of us only meet at this event!) …Gallons of tea and the odd alcoholic beverage consumed while doing so

* Workshops…as usual a great range on a whole diverse range of Diploma related topics…2 that stand out for me were Hannah Thorogood's ‘Stuck ‘ (in design work…or in my case, ‘its been so long since I completed the design and I still haven’t written it up but now I’m just really stuck with HOW to write it up’)…I came away having not only addressed the ‘stuck’ but very nearly written an outline of the write up (Yey!), and then Nicole Vosper’s excellent workshop about Prisons and Permaculture
 
* Design sharing….this year I was really pleased to spend some time with a couple of members of the first Diploma guild I was part of, it was great to see how much we had all grown and developed in the couple of years since we had last sat down and really took time to learn about each others work

* Working within a small group on some designs for next years International Permaculture Convergence….Not sure if I’ll actually use my own design (for the Heart and Soul space), as part of my Diploma portfolio, but going through the process will certainly help by other design work..

* Witnessing and being part of 3 really powerful and beautiful Diploma Accreditations…truly magical

Nicole Vosper's Diploma Portfolio can be found on her website, 
http://www.emptycagesdesign.org. 

Niamhue Robins' Diploma Portfolio is at,     http://muddyfingers.weebly.com


Cat Dolleris is in the process of putting her Portfolio online, but in the meantime there is more information about her work here 

Photo by Alan Charlton....Niamhue Robins presents her Diploma journey

* The opportunity to have a look and buy some of the fantastic permaculture related books, published over the last couple of years…

* A really motivating and timely tutorial with my tutor Wilf, spent walking and pausing in 4 different areas of the wonderful YHA grounds as we focused on the 4 questions…what’s going well? what’s more challenging?, what is the overall focus? And, what are the next achievable steps? 

As in previous years the weekend was totally ‘all things diploma’ immersing, and for many of us, I know a welcomed motivation and time to focus in our Diploma pathways…given that us apprentices, (and tutors), are such a diverse bunch of folk, the NDG, held at the beginning of winter, isn’t always the most helpful or the right thing for everyone, and this year in particular there is a lot current evaluation and conversation around considering having smaller regional 'Gatherings at different times of the year, so that hopefully the needs of more people involved with the Diploma can be met. 

I personally really like the big national event, and do hope in continues in some form, but am also very much looking forward to seeing how the regional Gatherings can help support and influence, hopefully, the work of more people involved with the Diploma too.

Photo by Alan Charlton ...Nicole Vosper receives her Diploma certificate

Photo by Alan Charlton ....Wilf Richards presents Niamhue Robins with her Diploma Certificate

Alan (Treeman) Charlton likes to take amazing photos, you can see more of his photography work on his Facebook page

Words: Katie Shepherd - see more of Katie's posts on her website and blog: shepherdwithattitude.weebly.com

Come We Grow

by Charlotte Haworth.

Attendees enjoying live acts at Come We Grow

Come We Grow

Friday, 31 October, saw the marking of a number of occasions. The date has special significance for a number of cultures anyway, and not just for connotations of plastic masks, glow-in-the-dark teeth and threatening (or is it cajoling?) your neighbours for sweets. On top of this, it was also the day of Come We Grow, which I had the pleasure of being involved in.

What is Come We Grow?

Last month’s event, held at the Wheatsheaf Hall in Vauxhall, South London, was celebrating the release of ‘Fear of a Green Planet’, the new EP from KMT. He is the co-founder of the May Project Gardens in Morden, which combine an interesting mix of permaculture garden and community and music studio where people from all walks of life can go and record.

KMT (his artist name: he introduced himself to me as KMT Ian) seems to have equally strong roots in both hip-hop rap and permaculture. An example of how these perhaps sometimes seemingly incongruous themes come together is KMT’s ‘bling’: from a distance, a large, chunky silver necklace such as may be fashionable among trendy rappers (though I won’t pretend to know about these things). As you get closer, however, it becomes clear that the necklace has been made up of recycled ring-pull tabs.

Celebrations of Growing

The workshop I was running at Come We Grow focused on our identification with culture, and indeed what it means to be a part of an existing or emerging culture. In line with this, the subject of Halloween came up; and we explored the significance of this celebration as seen by the people present. To help facilitate discussions we had a pumpkin with us, which got participants talking of carving and of fancy dress. We ended up exploring the idea that many Halloween traditions which are common now in UK culture are based on commercial gain rather than actual cultural ties. When asked if anyone knew of any deeper Halloween traditions no one could say. I was quite surprised at this, though it could have been that simply people were getting tired. I decided to share my reasons for celebrating this date, which I shall summarise here too.

Halloween

Halloween is a later name for one of the eight important pagan celebrations held throughout the year. Each are chosen according to how much light there is rather than a particular numbered day. At the longest and shortest days we have, respectively, the Summer and Winter Solstices, and in between these, when the day and night become equal in length, are the Spring and Autumn Equinoxes. Then in between each of these days are four more celebrations, “cross-quarter” days in the middle of the others, when change is in the air and, as many traditions believe, the world of magic and of spirits is closer to our own.

These four ‘in between’ festivals can be seen as the most potent times of year, and though pagan and Celtic traditions have been somewhat forgotten in this country, are still celebrated by people nowadays, though possibly as more of a revival than a continuation, since so much of our traditions were totally lost. The eight festivals are listed at the bottom of this article with the “cross-quarterly”, or (as some feel) more magical, ones, in bold, and the one which corresponds to Halloween is known as Samhain (pronounced “sa-ween”).
For me, Halloween is about the celebration of this time of change, of the light and dark in their eternal dance, and the seasons turning towards the chill of winter. Though I have found the Pagan calendar to be of use in my own personal celebration-marking, I am by no means exclusively bound by it and have researched many other traditions of this day too, taking from them the meanings which suit me. In some cultures this is a time for honouring the dead, such as with the Mexican celebration of El Dia de Los Muertos (see for example 2), and I feel this is important not just for remembering whichever friends or relatives you know who have passed on, but also with a consideration of your ancestors and all those who have gone before you, and what they have given to you.

It certainly made an interesting accompaniment to the seedbomb making, which was the actual practical aim of my workshop. Even our younger friends, who let’s face it were only really there to play with mud and clay, seemed vaguely interested in our Halloween explorations.

Welcome

Later on, as the night truly began drawing in and the faint flutter of otherworldy beings to flick in and out of our peripheral hearing (well OK, it may have been the kettle boiling in the cafe), we witnessed the Welcoming Ceremony of the evening. In order to give the attendants a proper welcome, Come We Grow actually had a Shamanic Celebrant to help us all get into the right mood. Aama Sade Shepneki (2), the Celebrant, has a grace and presence which is quite notable, even when she is not speaking. When she began the ceremony, playing a djembe to raise everyone’s energy levels, there was more than one person present with goosepimples.

She also mentioned the importance of Samhain and how, as she puts it, “the veil is thinner” at this time of year. She says it is a time for drawing in our energy and storing up our reserves in preparation for the cold season; a synchronicity with my explorations of the symbolism of the pumpkin and all of the good food which it represents. She says it is also a time for reflection on what we have achieved and meditation on what we are planning.

One of several stalls at the event, sharing food, thoughts, and fun.

For anyone who may, too, have been trying to start something new over the past couple of weeks and been repeatedly flummoxed by it, these seem helpful words to remember.

Hip hop permaculture

Following the welcome, KMT gave an introduction by singing one of his rap songs; a history of the May Project Gardens. The chorus is, “Planting little seeds every day/ watching the world just change,” (3) and as he wandered around the hall he gave out actual seeds to accompany the song.

Having a keen interest in both music and permaculture, it was inspiring to see such heartfelt and passionate art being performed right in front of me. I suppose I lost interest a little in combining my two hobbies after hearing some of the tepidly whimsical songs which have come out related to permaculture. KMT has helped to reignite that interest. It is so clear now: just because we care about the planet and about each other, doesn’t mean we also can’t make music with raw energy and soul.

Another key benefit of the musical aspect of May Project Gardens is that it can help foster connections with so many more people than a simple permaculture project. Many people have never heard of permaculture but a lot of people, especially in South London, have heard of hip hop. Perhaps they come to the May Project just to make music, which is fine. But maybe while they are there they get a tour of the gardens, and end up deciding to help out there, or to recreate some or other aspect of the gardens in their own lives.
All in all, a highly inspirational event, and I look forward to participating in future Growing celebrations. 

From Ozichi Brewster, Ambassador:

"I thoroughly enjoyed the day as an ambassador, learnt from others, shared my knowledge and made new connections. I have since become a member and attended one meeting of the Community Food Growers Network, a very valuable resource for urban growers.

I am looking forward to exploring some of these elements within my design proposal as I embark on my permaculture diploma. Whilst I enjoy advocating the virtues of permaculture design for virtually all ills of human existence, I may only win converts by being a true participant of resilient designs."

KMT (right).
"Just because we care about the planet and about each other, doesn’t mean we also can’t make music with raw energy and soul."

From KMT, the event coordinator:

"The highlights for me included the structure of the day starting with workshops and culminating in a music event. The support from everyone who contributed and the feedback from the audience. Finally having a small but passionate team was crucial, it meant I could step back perform tracks and hold space.

Come We Grow will tour, the frequency and the size of the tour has yet to be decided as everybody involved is a volunteer."

References

1. UNESCO, 2014. ‘Indigenous Festivity Dedicated to the Dead’. http://www.unesco.org/culture/ich/RL/00054 – retrieved 09/11/14
2. Tree Circle Ceremonies, 2014. ‘About’. http://www.treecircleceremonies.co.uk/ – retrieved 09/11/14
3. KMT Freedom Teacher, 2014. ‘Little Seeds’. http://kmtfreedomteacher.bandcamp.com/track/little-seeds – retrieved 09/11/14

Check out other posts from Charlotte Haworth on her blog.

'Everyone a designer' - permaculture in the Fun Palace

 by Sally Fildes-Moss

The invitation

‘On Saturday 4 October, The Everyman will be transformed into a magical Fun Palace … We want your imagination, ideas & input.’

On encountering this invitation online, I was intrigued.

Some background: the Everyman is a Liverpool theatre known for producing work that is often politically daring, and for fostering talents such as Julie Walters and Pete Postlethwaite.

It recently celebrated its 50^th birthday in a new building, opened earlier this year on the original site (a building which, by the way, features beehives on the roof and has been rated as environmentally ‘Excellent’ under the BREEAM scheme, as well as having just won the RIBA Stirling Prize 2014).

The New Everyman Building, Liverpool

Shiny new premises notwithstanding, it was surely the Everyman spirit of old that prompted the theatre to throw open its doors to become a Fun Palace. And what exactly is one of those…?

Fun Palaces

According to www.funpalaces.co.uk, back in 1961 theatre director Joan Littlewood and architect Cedric Price thought up the idea of a Fun Palace as a ‘laboratory of fun’, ‘a university of the streets’, intended to provide ‘a temporary and movable home to the arts and sciences that would welcome children and adults alike’.

The idea finally came to fruition on October 4^th 2014, when over 130 such places sprang up nationwide – in ‘theatres, gardens, tents, woodlands, shops, car parks, schools, libraries, swimming pools, public squares and town halls’.

In Fun Palaces, ‘Everyone [is] an artist, everyone a scientist’. The organisers claim, ‘This is not just an event, it is a movement, putting cultural participation and public engagement at the heart.’

Reading all this, I began to understand that this was a cross-disciplinary undertaking that everyone could get involved in, which was designed to build collaboration while emphasising personal satisfaction. And, naturally, I came to the conclusion that this sounded a lot like permaculture. ‘Everyone a designer’, right? Or potentially so…

Bringing permaculture on board

The Everyman had already lined up attractions including spoken word, a synaesthesia presentation, gong baths, and people icing their heads while reciting Shakespeare. I proposed adding a ‘Permaculture Surgery’ – an informal and irreverent corner where people could ponder some key elements from permaculture philosophy.

Assistant Artistic Director Nick Bagnall was orchestrating the event and fielded my initial email, which I sent with only a week or so to go. ‘Yes,’ he replied. ‘Please do that.’ I paraphrase, but it was largely that easy.

In the week that followed, I called in favours, scavenged for materials and painted a banner (swearing all the while during that last one – ‘Everyone an artist’, my backside…).

Most of all, I wondered how best to communicate about permaculture on the day with a wide variety of adults and children … What is permaculture truly about? Whose words should I borrow for my signage? What resources and activities would draw people in, and reflect the aim of bringing the arts and sciences together? And how could it be FUN?

Getting it together

Various local and not-so-local permaculture contacts helped me out with feedback and suggestions. Also, I owe a particular debt to Hannah Gardiner and Nala Walla for their inspiring work to date in bringing the arts and permaculture closer together – in my preparations, I made use of the Facebook discussion group Hannah has initiated on ‘The manifesto of art in permaculture’ and Nala’s article ‘The Embodied Activist: Where Permaculture Meets the Arts'.

Also, great thanks go to my friend and local activist Stephanie Rooney, who made some brilliant suggestions and contributed many of the resources we used for the event.

Stephanie Rooney

The points I eventually chose to highlight were –

• We can transform ourselves from consumers to producers – whether we produce food, new fuels, social connections, or anything else permanent culture needs from us.
• Doing this meets our true needs better than consumer capitalism does. Also, it’s a world away from simply struggling on with our existing, misdesigned lives while ever more environmental anxieties pile up.
• To become producers who can innovate and persist as necessary, we need to 1) play lots, so as to exercise our creative muscles and relieve tension, and 2) develop arts which are inclusive and which examine the real challenges of the age.
• Plus, there is huge potential to increase our sanity and effectiveness by learning to observe before we do anything else!

To present these ideas, I made plenty of signs. Some of these featured quotes from permaculture pioneers, while others invited people to suggest ways they felt they were already living the principles, or would like to, or to record their thoughts on bringing the arts and ecology closer together.

Signs waiting to be hung up

Don't sweat the small stuff

Also offered on the stall were: a range of leaflets; summaries of the principles in various renderings; copies of Nala’s article; some key permaculture texts and books on upcycling; a pack of permaculture playing cards; some tactile objects from nature and crafts; and, in case all the above failed us, some monkey and parrot glove puppets (nothing to do with anything, but they do bridge a lull at social gatherings).

The stall

Read or investigate our objects tray, choice is yours

Further information

I also prominently displayed our banner, which declared to everyone ‘YOU HAVE BEEN SPECIALLY SELECTED TO DESIGN YOUR OWN LIFE’. This was intended to subvert the type of promotional blurb that assures you of your special status while ripping you off and letting you down in a thoroughly standardised way. Permaculture, on the other hand, says that, if you customise right, you will always obtain a yield.

Sally Fildes-Moss during set-up

Portrait wall with banner

I hoped that all these tasters would pique people’s interest in permaculture design.

On the day

As well as helping with the preparation, Stephanie Rooney joined me on the day, and a photographer friend Jona (Jona @ Tona Photography) kindly took pictures of what went on.

Photographer Jona in the frame, but resisting

When people approached the Surgery I tried to focus on hearing from them, first of all – if indeed they wanted to speak rather than browse. I wanted to avoid jumping in with information and directions. This allowed some very genuine exchanges, and I found I was more likely to be able to point people to resources or activities that would fully engage them if I did things that way round (the power of observation at work again). 

Most small children needed nothing but a clear view of the table, with its tray of tactile natural and craft objects, and shiny books, to launch themselves straight in. They tended naturally to lead our conversations; even the shyer children opened up if asked with enthusiasm about food, travel, fun – anything that was important to them (and permaculture tends not to bother with things that aren’t important to people!). With children even more than adults, it was crucial for them to have some activities to get stuck into throughout their time with us.

One of many families we had the pleasure of meeting

Once people were engaged, their further options included: collecting information to digest at their leisure later on; playing cards; browsing the mini-library; and recording their thoughts in the following ways…

We asked visitors to contribute ideas about what they do (or would like to do) in daily life that is tantamount to revolution. Most of us are aware of the saying that permaculture is revolution disguised as gardening, and our visitors agreed with me that revolution comes in many forms – suggestions included foraging, singing, taking a moment to breathe, passing on unwanted possessions, and riding a scooter. One young revolutionary boldly promised ‘to be kind’. (Another child, no relation, had obviously been quick to absorb the importance of small, slow solutions, and, instead, promised only ‘to be kind to my brother’.) 

We invite your ideas for revolution

A debate about how we might bring the arts and ecology closer together took place in the exercise book we provided. Here’s a flavour of the responses: ‘include improvisation in the school arts curriculum’; ‘implement the designs into ways of learning in educational establishments, encourage people to take control of their own learning’; ‘have a spontaneous life … make a story, live that story, tell that story’; ‘be aware of beauty in the natural world and how we need to preserve it’; and ‘reach out to people on the margins to enrich my life’.

Vincent Killen, Liverpool Everyman & Playhouse Theatres Trustee, was among the visitors to the Permaculture Surgery, and he also spent a while at the Permaculture Card Table. He commented that he found our contribution ‘extremely interesting, thought-provoking and loads of fun. The interaction between the participants was well managed and extremely lively, and although the theatre setting was slightly unusual, it actually seemed entirely appropriate.’

Everyman Trustee Vincent Killen at the card table

Deal your hand

By the end of the day, Steph and I had talked and listened to scores of people of a variety of backgrounds and just about all ages. We learned a lot about them, about ourselves, and about ways to talk about permaculture, as well as identifying room for improvement in any future Surgeries.

As you’d expect, everyone we met had something insightful to say about life design and their own cherished aspirations. I felt that it had been a worthwhile thing to do to prompt this exchange of views, which readily turned into a celebration of potential.

For the future

I would love to run similar ‘Permaculture Surgeries’ in future, and see others do the same. After putting this pilot together superfast, in order to make the Fun Palaces date, I look forward to backtracking to a more substantial observation period, and refining from there!

I think there is huge potential in giving games, design activities and performance a bigger role, based on my own preference and on observation of what engaged people most on the day. Plus, it would be fantastic to explore a variety of sites for delivery, such as smallholdings, shopping streets, bike shops, orchards, skateparks, stately homes…

Of course, developing these possibilities fully will take time and resources, and I personally need to obtain a financial yield from an outside source to be able to do this. Perhaps the option of using the Crowdfunder site, which has partnered with the Permaculture Association, will be a way to do this, and other suggestions are also welcome, as are opportunities for collaboration so that the Surgeries grow to be as inclusive as possible. Also, Permaculture Surgeries, in whatever form, could be delivered at future Fun Palaces, since the plan is for the event to be annual.

Overall, my objective would be to spread the idea that we are ALL specially selected to design our own lives, and our lives can be considerably more creative, resilient and sustainable than a traditional design approach would have us believe.

Watch the film:

Fun Palaces 2014 at the Liverpool Everyman

- Sally Fildes-Moss 

Photos - Jona @ Tona Photography

Designs on the Roof of the World

by Chris Evans

The work of the Himalayan Permaculture Centre

www.himalayanpermaculture.com

One of the great things about permaculture is how versatile it is in its application: not only across the vast range of climates and topographies on the planet, but also across cultures and societies. Nowhere is that more apparent to me than in the contrast between "East and West" or "North and South". At their extremes, wealthy and resource-access rich cultures that are fossil-fuel subsidised and dependent, and subsistence cultures where what people live by is what they grow and gather from the forests.

The former is like in the UK, while the latter is like in the remote areas of upland Nepal, where the Himalayan Permaculture Centre (HPC) chooses to work. The aims of the application of permaculture are very similar: to foster resilience and regeneration to a more abundant, sustainable future. The basis of the tools used are also similar in terms of the ethics, philosophy and principles of permaculture, and the step-by-step nature of the design process are also appropriate. It is the context that could hardly be more of a contrast.

In rural Nepal, people have huge skills in reading the landscape and understanding soil, water, and biodiversity, and incredibly complex and nurturing social interaction. Yet they have little or no access to health, education, credit, infrastructure and technology. Thus, communities are in an opposite paradigm to us in the UK, where we have all the benefits of modern society but have largely lost our connection to nature and the empowerment that brings.

Ironically in Nepal farmers would gladly turn their backs on their riches for a more comfortable and secure lifestyle and they are, in huge numbers, leaving the villages to seek low-paid and exploitative work overseas. In the UK we think of leaving the "rat-race" and returning to a simpler way of living. Both concepts of course have their misconceptions and there's no such thing as a free lunch. For both, the great turning is needed but it seems to be in different directions!

Photo by Chris Evans

HPC works to address the spectrum of needs: Firstly, food security in terms of soil, water and biodiversity management involves working with the skills people have while trying, for example, to make the work of increasing fertility easier. This may be through bringing forest resources on-farm with agroforestry, or rice production using less water and more output per acre with SRI (system of rice intensification), or better ways to compost, and diversification of crops – especially fruit and vegetables. The aim is less input for greater output, and new skills are taught to reach this aim, from grafting fruit trees and green manures to livestock health and beekeeping.

Secondly, it is health program works, on the basis that healthy people can farm and manage their resources better and easier, and the best way to health is through preventative measures rather than fighting fires. So along with raising awareness of women's rights and running training and clinics for diagnosis and treatment of women's health issues, often using locally available herbs, they are involved in making drinking water systems and building smokeless stoves, which also have the effect of reducing fuel wood use, thus linking with the food security work.

Jana Jyoti group of Thulo Khaltakura after completing a mobile women's health training.
Source: http://www.himalayanpermaculture.com/#/reports/4557141465 Find lots more images from HPC here.

HPC's third area of work is in education. Here it is working with schools on providing extra and intra-curricular classes for children, and designing school land to be more productive. HPC also teaches literacy (another skill we take for granted in the West) through use of the Farmers' Handbook, stacking functions by teaching reading and writing at the same time as making liquid manure.

The fourth area of HPC's work is around generating livelihoods so farmers can learn about income generation enterprises - not just the skills to enact them, but that there needs to be a basis of sustainable and regenerative resource use, specifically energy and water, and sustainable management of for example, nettles and cotton for fibre, or increase of bee forage for the beekeeping programme.

Finally, HPC looks to build its own capacity and that of its stakeholder communities to plan, deliver, monitor and evaluate its interventions - creating and responding to feedback loops designed into the system. For this it holds PDCs, Training of Trainers (ToTs), and NGO/village group management skills trainings, facilitates farmer-to-farmer exchange, leans about making short technical training videos that can be shared by mobile phone, and hosts festivals bringing farming communities together to celebrate the abundance of what can be attained.

Learn more about the work of the Himalayan Permaculture Centre.

Donate to Himalayan Permaculture Centre with the Permaculture Association.

Alara Wholefoods and the Kings Cross Harvest Festival Feast 2014

by Agnes Troszt, Alara Wholefoods

Alara Wholefoods, located in Camley Street, King’s Cross, is more than just a cereal manufacturing company. They are passionate about breakfast, natural food, nourishing gluten free food and last but not least, they care about their local community as well as their environment. Founder, Alex Smith says: “I have always been passionate about sustainability and believe that the food supply is the most important element in our society to become sustainable.” Following his ethos, Alex and people at Alara achieved some remarkable firsts and kept being an exceptional company on the cereal scenery ever since.

Early days and achievements

Alara was established in 1975, after Alex Smith spent a year living in squats without money. When he decided to use money again he found £2 on the street, which he used to establish the foundations of what we know today as Alara Wholefoods. Since then, the company has achieved more than he has ever dreamt of. Alara became the World’s first cereal company to be third party organic certified by the Soil Association, also it was the first company, which was registered with the Coeliac Society and was pioneer using renewable energy sources & green practices, which led to become a zero-waste food manufacturer in 2008.

Ambitious mission

With such exceptional firsts in many fields, their mission statement, to be the most sustainable food manufacturer on Earth, came with no surprise. In order to achieve this noble mission, the company measures their activities within three areas, namely financial (cash on delivery service to their customers), environmental and social.

A hidden, urban garden

Keeping the environment in mind

Manufacturing their products without any additional waste is just one within their green activities palette. Their factory also runs on solar panel and they are waiting for the arrival of a new anaerobic digester, which will supply the factory with gas and compost. To balance and nurture their relationship with Nature and to set an example that you can grow food anywhere, they have created a beautiful, permaculture garden by removing over 50 tonnes of rubbish and planted fruit trees, berries and flowers. This hidden garden made use of otherwise unused piece of land, helps to reduce the effects of global warming and educate young people about where their food is coming from.

Socialize and localize

Socialize and localize

Beside being active participant of the community, their social mission also involves hosting parties twice a year, where they can meet with their business partners, nurture local relationships, show their way of working towards a sustainable future and of course, commit some mischievements throughout the evening. Throughout the last couple of years, these parties became a must and well-awaited events among Alara fans and local residents.

And what other place would be best for their bespoke annual parties, in order to achieve their social mission, if not their thriving, green garden?

Bespoke Alara Parties

Every February, when their first party takes place, they wassail in the garden hidden behind their factory, to secure harvest will be rich and the plants wake up from their winter sleep and wait for spring. To see how successful their wassailing had been at the end of cold winter months, their annual Harvest Festival Feast takes place in September.

Harvest Festival Feast 2014

This year it was the perfect occasion to close Organic September and celebrate organic, local food and produce with Urban Food Fortnight, Urban Orchard Project, Soil Association and Wholefoods Action.

Preparing apples from the orchard

The event has started with warm, spicy welcome drinks in the decorated gardens, where benches, tables and twinkling lights gave a magical atmosphere right at the start. Later on Strayhorn, a classic blues band, took over the stage and entertained the crowd, whilst chefs were busy grilling delicious meat burgers, Dee’s bespoke vegetarian patties and vegan sausages, which were accompanied by huge, organic wholemeal buns from the Flour Power City Bakery and many superfood-infused salads and greens. To make sure everyone had their pudding at the end of the event, they served sweet & juicy baked apples, straight from the garden, topped with their deliciously crunchy gluten free granola.

To keep the children occupied Wholefoods Action, a fresh initiative against genetically modified food, organized potato printing with many shapes and colours.

Soil Association was also present with the aim of educating people about the advantages of organic farming, produce and lifestyle not just on their health, but on the environment as well as on future generations.

Every year, the Urban Orchard Project helps Alara to organize the party by bringing volunteers, their signature spicy cider while welcoming donations for their cause, to create and plant as many fruit trees as possible across the country’s empty green spaces and it wasn’t different either this year. The incoming donations were shared with Camley Street Farm, a food growing start up, which provides green spaces for local residents, who wish to enjoy natural & home grown fruits & vegetables.

Future Plans

Although their last party has just ended, Alara is already planning their next wassailing in February 2015, where everyone who would like to join them is welcome in this tradition and to let their hair down on a casual Friday evening.

Also, you can visit their garden throughout the year, the Alara Garden is registered in many open day events, such as Open Garden Square Days.

If you would like to find out more about Alara, Alex and how all this successful organic cereal business has started, The Guardian was filming throughout their Wassail Party this year and released a short, 3-minute video.

For more information, visit their website www.alara.co.uk or find them on Facebook.com/AlaraCereals. Alternatively you can tweet them and get the latest updates on what are they up to at @AlaraCereals.

People Care and Child Care

by Pedro Valdjiu

Today I woke up at 4 AM with a dream about Child Care becoming part of the ethics of permaculture, a new sphere added to the Earth care, People care and Fair shares. The first thing I said to myself was why don’t I just add this topic into the people care branch and work it from there?

After some thoughts I realise that children and people are two different worlds, and I believe that society has been treating children as adults for too long, taking them away from them their maximum potential which is in my perspective their ability to use imagination. We as adults are adulterated by our traditions, cultures, behaviours and beliefs, in a way that keeps us from receiving the NEW that is arriving to this planet 24 hours a day, new ideas, new patterns, new imaginations, that will make the Big Turn happen on this planet.

When I think in Big Turn, what comes to my imagination is a new lifestyle that is not based on earth and human resources but based in our gifts and the gift of Life. I believe that gifted people like Tesla, Viktor Shauberger or others have found out about free energy and even more liberating ideas that could make the Turn a reality. It’s a shame that these information is not public, that the gifts of the genius people are not being used.

I often listen to our government speaking about saving the planet for the sake of our children future. Or something like – "children are the future…" This is just a way to take responsibility out of the present, and to make us feel kind of OK with the big mess we have been doing here. Social mess, economical mess and for sure ecological mess. The work is now not in the future, and children seem to live in the present, although surrounded by adults who are teaching them how to repeat their mistakes instead of giving space for them to channel new concepts and ideas.

Considering that just a little part of earth children have access to proper shelter, to water, food, health and the elementary needs to live, I believe, that we are in front of one of the most difficult issues of society.

On one hand we have children being exploited by the other hand of consumers child and their parents. Ones being slaved by the others, and the others becoming slaves of a technological society. Schools were we already have software as teachers were others are working 16 hours a day to make new smart phones to a dominant industry. I have to say that unfortunately i am part of the consumers hand.

So, what can I do?? How can I stop this nightmare? Where can I put my energy so that I bring a new light to this issue?

Eights years ago, I went to the public school and I signed a document saying that I was going to be responsible for the education of my children. That day I felt that all the power of the universe was running in my veins. From that moment my daughters, who I recognise have being my biggest masters on earth, were out of a system that is not Life supportive, a system that is adulterating children already in the kindergarten.

My beloved girlfriend, myself and a group of parents decided to start a Steiner school named Escola da Terra (Earth School) considering - after a big research that the Waldorf pedagogy initiated by Rudolf Steiner around 100 years ago - was the pedagogy with the deepest understanding of what a child is and a what a human being is at its highest potential.

I believe that one the of the key components of this is art. Children can learn everything through music, dance, theatre, painting, games, etc. All that has this artistic component that I see as a something that establishes a connections between earth and heaven, whatever picture of heaven on can have.

I saw the evolution of these children growing through the years without becoming fully corrupted by behaviour patterns from these adulterated non-life-supportive society. They have become children that support each other and have an incredible sense of justice and love.

We also started to bring some of these pre-teenagers, to our land Terra Alta, where we run international permaculture courses, mostly with people from Europe and more and more from all over the world. It was amazing to see how integrated these young people were among others and how wise they are, socially wise and also very connected to earth and nature, so very connected to what the permaculture education is all about. Nature connection I believe is one of our gifts as human beings. It is just these patriarchal educational system that creates these illusionary feeling of separation making us a sucking-resources based culture.

Waldorf education, permaculture and all that is supporting life seems to be so small-scale that I have the feeling that it is working as homeopathy remedy in order to keep the memory of what is our essence and what could be a possible way for our evolution. Rudolf Steiner mentioned on his lectures that there was a silence war on Humans, not with guns but through education.

So I can say that Waldorf education is about healing human beings through a spiritual, artistic education. It is growing internationally, and I hope that it will be adopted by the national educational systems as the main pedagogy. This could be part of the Big Turn.

I often hear things like children should all have access to proper education, but what kind of education are we talking about?  Are these parts of the world that our system call the third world with a need of a patriarchal educational system? Maybe they need as a good start to be released from the hands of imperialist corporations that are destroying theirs habitats and corrupting their beliefs and cultures.  Maybe we should stop thinking what is the best education for cultures that we just don’t know deep enough and let the cultures find their own evolution.

I feel frustrated by the fact that I can’t even address these topic in the level of depth I see needed here. I also know that I am talking from a very lucky person perspective, considering that I have access to water, money, food, and so on. But I also know that whatever I am doing am I am doing because I am a believer on us Humans, I know that we are not what the greedy imperialism is trying to make us, we are not stupid we are just doped by a twisted technological lifestyle .

Escola da Terra is not a business, actually for several years my energy at this project is based on pure service, where the vision of healing the world thought education seemed to guided myself higher then the need of having to make money or a career.

I also feel that People care and Child care are two different things.

Thank you all.
This post originally appeared on http://escolaterra.wix.com/escoladaterra

Winter Willow and the Workers' Educational Association

by Joe Gregory

Founded in 1903, the Workers' Educational Association (WEA) is a charity and the UK’s largest voluntary sector provider of adult education. We believe learning is for everyone and learning is for life. It can be life-enhancing and life-changing – improving health, self-confidence and creating positive changes that ripple out from individuals to communities.

Willow weaving

We also have a special mission to reach those who want to improve their lives and communities. Education is a beautiful and powerful tool for tackling economic and social disadvantage because it raises aspirations and helps people create their own change. We campaign for adult education and whether you want to become a student, member, volunteer, tutor or partner, you are always welcome to the WEA.

Over the last 6 months the North West Branch has been developing a range of Environmental courses designed to give students a taste of studying and working in the outdoors with the concept of sustainability at their heart. They range from weekend introductory courses such as Introduction to Woodland Management C3836725 and Introduction to Forest Schools C3836732, to accredited courses like the Permaculture Design Course C3836723.

All these courses can be studied as stand alone courses or combined and built up over time to give the learner a deeper understanding and a variety of practical experiences working sustainably in the outdoors.

For our full Autumn brochure please follow the link http://issuu.com/weanw/docs/wea_brochure_for_web

All WEA courses are subsidized and if you receive certain Means Tested Benefits or are on a low income our courses are FREE. For more information please contact our regional office by telephoning  0151 243 5340 or via e-mail northwest@wea.org.uk